Author: peter

Composers (listed chronologically by life dates)

Stephen of Liège (ca. 850-920)

• Deum verum (Gregorian chant)

Josquin Desprez (ca. 1450/1455-1521)

• Ave maria, motet for chorus

Giovanni Pierluigi da Palestrina (ca. 1525-1594)

• Kyrie from the Pope Marcellus Mass

Gregorio Allegri (ca. 1582-1652)

• Miserere mei for two choirs

Remo Giazotto (1910-1998) [after Tomaso Albinoni (1671-1751)]

• Adagio in G minor for strings and organ

George Frideric Handel (1685-1759)

• Adagio from Keyboard Suite No. 2 in F major, HWV 427
• Largo from Serse (opera)

Johann Sebastian Bach (1685-1750)

• Prelude from Cello Suite No. 1 in G major, BWV 1007
• Air on the G String from Orchestral Suite No. 3, BWV 1068

Christoph Willibald Gluck (1714-1787)

• Minuet in F major and Dance of the Blessed Spirits in D minor from Orfeo ed Euridice (opera)

Joseph Haydn (1732-1809)

• Adagio in F major, Hob. XVII:9 for piano

Wolfgang Amadeus Mozart (1756-1791)

• Adagio from Serenade for Woodwinds in B-flat major, K. 361 “Gran Partita”
• Adagio from Piano Concerto No. 23 in A major, K. 488
• Ave verum corpus, K. 618 for chorus and orchestra

Ludwig van Beethoven (1770-1827)

• Scene by the Brook from Symphony No. 6 in F major, op. 68 “Pastoral”
• “Cavatina” from String Quartet in B-flat major, op. 130

Franz Schubert (1797-1828)

• Entr’acte No. 3 (Andantino) from Rosamunde, op. 26, D. 797 for orchestra

Fryderyk (Frédéric) Chopin (1810-1849)

• Prelude in F-sharp major, op. 27 no. 13
• Romanze: Larghetto from Piano Concerto No. 1 in E minor, op. 11

Robert Schumann (1810-1856)

• Träumerei (Dreaming) from Kinderszenen (Scenes from Childhood), op. 15 for piano
• Romanze in F-sharp major, op. 28 no. 2

Franz Liszt (1811-1886)

• The Bells of Geneva from Years of Pilgrimage, 1. Switzerland for piano

Johannes Brahms (1833-1897)

• Romanze: Poco Adagio from String Quartet No. 1 in C minor, op. 51 no. 1
• Wiegenlied (Lullaby), op. 49 no. 4 (arr. piano solo)

Alexander Borodin (1833-1887)

• Notturno: Andante from String Quartet No. 2 in D major

Camille Saint-Saëns (1835-1921)

• The Swan from Carnival of the Animals for two pianos and orchestra

Antonín Dvořák (1841-1904)

• Romance in F minor, op. 11 for violin and orchestra
• Largo from Symphony No. 9 in E minor, op. 95 “From the New World”

Jules Massenet (1842-1912)

• Meditation from Thaïs (opera, 1894/1898) for violin and piano

Edvard Grieg (1843-1907)

• Morning Mood from Peer Gynt Suite No. 1, op. 46 for orchestra

Gabriel Fauré (1845-1924)

• Pavane, op. 50 for orchestra and optional chorus
• Sicilienne from Pelléas et Mélisande, op. 80

Engelbert Humperdinck (1854-1921)

• Abendsegen (Evening Prayers) from Hansel and Gretel (opera)

Giacomo Puccini (1858-1924)

• Chrysanthemums for string quartet

Isaac Albéniz (1860-1909), arr. Leopold Godowsky (1870-1938)

• Tango for piano

Edward MacDowell (1860-1908)

• To a Wild Rose (No. 1 from Woodland Sketches, op. 51, for piano)

Claude Debussy (1862-1918)

• Andante doucement expressif from String Quartet in G minor
• Rêverie for piano
• Clair de lune from Suite bergamasque for piano

Richard Strauss (1864-1949)

• Morgen (Morning), op. 27 no. 4 for soprano and orchestra
• Beim Schlafengehen (Going to Sleep) from Four Last Songs for soprano and orchestra

Jean Sibelius (1865-1957)

• The Swan of Tuonela for orchestra

Erik Satie (1866-1925)

• Gymnopédie No. 1 for piano

Scott Joplin (1868-1917)

• Solace: A Mexican Serenade for piano

Ralph Vaughan Williams (1872-1958)

• Fantasia on a Theme by Thomas Tallis for double string orchestra with string quartet
• The Lark Ascending for violin and orchestra
• Silent Noon from The House of Life, song cycle for voice and piano

Arnold Schoenberg (1874-1951)

• Transfigured Night (conclusion) for string orchestra

Maurice Ravel (1875-1937)

• Pavane pour one infante défunte (Pavane for a Dead Princess) for orchestra

Samuel Coleridge-Taylor (1875-1912)

• “Children’s Intermezzo” from Othello, op. 79 for orchestra

Maurice Duruflé (1902-1986)

• Introit from Requiem, op. 9 for solo voices, mixed chorus, orchestra, and organ

Arvo Pärt (b. 1935)

• Spiegel im Spiegel (Mirror in the Mirror) (1978) for violin and piano

Philip Glass (b. 1937)

• Glassworks for piano
• Mishima/Closing for string quartet, from the music for the film Mishima: A Life in Four Chapters (1985)

Eric Whitacre (b. 1970)

• Sleep for small chorus

Film music excerpts

John Barry (1933-2011)

• “John Dunbar Theme” from the soundtrack for Dances with Wolves (1990 motion picture)

Howard Shore (b. 1946)

• “The Shire” from the soundtrack for The Lord of the Rings: The Fellowship of the Ring (2001 motion picture)

When the Bösendorfer grand piano is stored, please:

• Ensure that the piano is in its usual position close to the side of the altar platform, with its long (not curved) side nearest the platform.
• Ensure that the piano’s keyboard lid is closed, and the keyboard lock on the left side is in place and locked (Maryville Public Safety—314-529-9500—has a copy of the keyboard-lock key).
• Ensure that the piano’s undercarriage humidisitat is plugged into the nearest electrical outlet.
• Ensure that the piano’s custom cover is on the instrument, and the sign asking people to refrain from placing things on the piano is in place on top of the custom cover. The piano’s dedicated bench can be placed under the keyboard in a way that will allow it to fit under the custom cover.
• Please do not move this piano. Its usual position ensures that it will not be damaged by air blown upward from the registers along the chapel’s walls.

When using the Bösendorfer grand piano:

• Remove the piano’s custom cover and keyboard lid-lock (Maryville Public Safety—314-529-9500—has a copy of the keyboard lid-lock’s key), then place them in a safe place.
• When opening the piano’s lid, please first open the lid’s small section near the keyboard, then the main portion of the lid.
• The lid will open partway, or fully. This is important!:
  • The hole in the lid nearest the edge is for the two shorter lid-support stick(s).
  • The hole in the lid farther in from the edge is for the full-length lid-support stick. 
  • Once the lid is supported in its desired inclination, please ensure that the stick is perpendicular to the lid. If the lid and its supporting stick are mismatched, there’s a chance that the lid (which is heavy) may collapse, endangering people nearby.

Ensembles Concerts

• Fall Semester Choral and Instrumental Ensembles Concert — Sunday, December 4, 2022, 7:00-9:30 p.m. • Maryville University Auditorium • Free admission
• Spring Semester Choral and Instrumental Ensembles Concert — Sunday, April 30, 2022, 7:00-9:30 p.m. • Maryville University Auditorium • Free admission

Student Recitals (each Music Therapy major must perform twice individually across Fall 2022 and Spring 2023) + new Performance Classes

• Performance Class 1 — Monday, September 19, 2022, 12:30-2:00 p.m. • Maryville University Auditorium • Free admission
• Student Recital 1 — Friday, October 21, 2022, 9:30-11:00 a.m. • Maryville University Auditorium • Free admission
• Performance Class 2 — Monday, November 14, 2022, 12:30-2:00 p.m. • Maryville University Auditorium • Free admission
• Student Recital 2 — Monday, November 28, 2022, 2:00-3:30 p.m.; Maryville University Auditorium
• Student Recital 3 / Performance Class 3 (one combined event) — Friday, February 10, 2023 — 11:00 a.m.-12:30 p.m. • Maryville University Auditorium • Free admission
• Student Recital 4 — Friday, March 24, 2023, 11:00 a.m.-12:30 p.m. • Maryville University Auditorium • Free admission
• Student Recital 5 — Friday, April 21, 2023, 11:00 a.m.-12:30 p.m. • Maryville University Auditorium • Free admission