Guest / Faculty Recital — MarkSparks, flute • Peter Henderson, piano — Saturday, March 29, at 3:00 p.m. — The program will feature music by César Franck, Johannes Brahms, and Ottorino Respighi
Concerts will not be live-streamed, and no recordings will be available, so please consider enjoying these performances in person.
Feel free to share this information with anyone you know who may be interested!
For a list of all Maryville Music Therapy Program concerts (including student performances), please click here.
Music at Maryville 2024-25, Concert 4 of 4 — Scott Lyle, Guitarist & Composer
Scott Lyle, guitarist & composer
Sunday, April 13, 2025 • 3:00 p.m. • Maryville University Auditorium
Scott Lyle is the Director of the Music Program and Assistant Professor of Music at Maryville University in St. Louis. He teaches courses in music theory, aural training, audio engineering, and private lessons, offering students a comprehensive education in both traditional and modern musical disciplines. Scott earned his BM in Music Performance (classical guitar) summa cum laude from the University of Missouri–St. Louis and his MA in Composition from Washington University in Saint Louis. Passionate about academic scholarship and research, he also actively performs music from various eras, with a special affinity for avant garde and post-tonal contemporary works.
For this performance, Scott Lyle will be joined by guest performers Lisa Lillie, soprano, Alannah Coady, soprano, and Peter Henderson, piano.
Musical Program
To include these guitar works and arrangements, along with the world premiere of three songs by Scott Lyle:
John Dowland (1563-1626): “Come, Heavy Sleep,” from The Firste Booke of Songes (1597)
Francesca Caccini (1598-1640): “Per la più vaga e bella,” from La liberazione di Ruggiero dall’isola d’Alcina (1625)
Wolfgang Amadeus Mozart (1756-1791): “Ach, ich fühl’s,” from Die Zauberflöte, K. 620 (1791) & “Porgi, amor, qualche ristoro,” from Le nozze di Figaro, K. 492 (1786)
Robert Schumann (1810-1856): “Ich grolle nicht,” from Dichterliebe, op. 48 (1840)
Benjamin Britten (1913-1976): Nocturnal, after John Dowland, op. 70 (1964)
Swedish Folk Ballad (Anonymous): “Herr Mannelig”
Past 2024-2025 Concerts (listed in chronological order)
Music at Maryville Series 2024-2025 Concert 1 of 4 — Early Music Missouri presents Adoption, Adaption & Appropriation: Invasive Species in Mediterranean Musical Culture
Nocturne No. 13 in B minor, op. 119 (1921) (ca. 7 minutes)
Brief Program Note
To observe the centenary of Gabriel Fauré’s death, Peter Henderson will perform a Maryville University Faculty Recital exploring works spanning the great French composer’s career. Renowned for his harmonic explorations and freedom, Fauré was also an inspired melodist, spinning long, flowing phrases set in a florid texture. His elegant, gorgeous piano music is poised between vigor and languor, raw emotion and restraint. This program features some of his most famous and extroverted early piano works, including the witty Valse-caprice No. 1 and two scintillating Impromptus, and ends with a few of Fauré’s sorrowful yet consolatory late pieces, including his intensely moving Nocturne No. 13.
Music at Maryville Concert Series 2024-25, Concert 2 of 4 — Musicians of the SLSO perform Gabriel Fauré’s Two Piano Quintets & Leo Marcus’s Three Schumann Stars
Sunday, October 20, 2024 • 3:00 p.m. • Maryville University Auditorium • Directions
Robert Schumann (1810-1856): [Untitled piece] No. 30 from Album for the Young, op. 68 (ca. 4 minutes)
Leo Marcus (b. 1945): Three Schumann Stars (Piano Quintet No. 3) (Missouri Premiere) (ca. 14 minutes)
Intermission (ca. 10 minutes)
Gabriel Fauré (1845-1924): Piano Quintet No. 2 in C minor, op. 115 (1919-21) (ca. 32 minutes)
Brief Program Note
This program concludes Maryville University’s two-concert mini-series observing the centenary of Gabriel Fauré’s death. Fauré completed two quintets for piano and string quartet. A slow, painstaking composer, Fauré labored eighteen years on Piano Quintet No. 1, which was eventually premiered in 1906. One of his favorite works, its first two movements have an enchanting, ethereal, timeless quality. Fauré’s earthier Piano Quintet No. 2 was composed relatively quickly, across several months in 1920-21. Deemed a masterpiece since its premiere, the second quintet demonstrates “A deep and magnificent serenity of a great poet, wise and lyrical” (Louis Vuillemin). Between these two monumental late works of Fauré, we’ll present the Midwest premiere of Three Schumann Stars by Leo Marcus, an American composer and pianist, who here explores the ambiguity and sensitive beauty of a small piano piece from Robert Schumann’s Album for the Young, op. 68.
– Sunday, February 9, 2025 • 2:00 p.m. • Maryville University Auditorium – This recital will be our 2024-2025 Johannes Wich-Schwarz Chamber Music Concert. Please enjoy our pregame musical performance before this evening’s Super Bowl! – Program to include: Carl Frühling & Johannes Brahms’s Trios for Clarinet, Cello, and Piano
Nicolas del Grazia is Professor of Clarinet at Arkansas Tech University, and has appeared as soloist, chamber and orchestral musician throughout the United States and Europe. As an advocate for contemporary music, he has performed with a number of leading new music ensembles, including Chicago Pocket Opera Players, and Aguava New Music Studio, heralded as “brilliant” by the Washington Post and as “easily one of the most impressive new music ensembles in America today” by the International Record Review. He has worked with a number of the country’s leading composers, including David Felder, Evan Chambers, Kristin Kuster, and MacArthur Genius prize winner John Eaton. As a scholar, Nicolas del Grazia has twice been the recipient of awards from The International Clarinet Association for his research, and he has published work on the hitherto unknown Pastorale & Rondo by Mario Castelnuovo-Tedesco, and the unfinished Quartet for Clarinet and Strings by Alexander Zemlinsky. He also enjoys composing, especially for the clarinet. The “pixelated humor” (AllMusic.com) of his Tarantella for clarinet and piano can be heard on Italian Vintages, on the Centaur label.
Spring 2025 Maryville University Faculty Recitals
Guest / Faculty Recital — Mark Sparks, flute • Peter Henderson, piano
Friday, March 7, 2025 • 10:00-11:30 a.m. Steinway Piano Gallery 12031 Dorsett Road Maryland Heights, MO 63043
1. Lecture: Ravel’s Life, Times, and Relationship to the Piano
2. Musical Program (all works by Maurice Ravel, unless indicated), with interpolated remarks
Pavane pour une infante défunte, M. 19 (1899) (ca. 6.5 minutes)
BRIEF EXCERPT — Franz Liszt (1810-1856): from Années de Pélèrinage, Troisième année, op. 82 — 7. Les jeux d’eaux à la Villa d’Este (The Fountains of the Villa d’Este) (1877) (ca. 30 seconds)
Jeux d’eau, M. 30 (1901) (ca. 5.5 minutes)
Sonatine, M. 40 (1903) (ca. 11 minutes)
Modéré
Mouvement de menuet
Animé
BRIEF EXCERPT — Robert Schumann (1810-1856): from Waldszenen, op. 82 (1848-9) — 7. Vogel als Prophet (ca. 30 seconds)
from Miroirs, M. 43 (1904-05)
Oiseaux tristes (ca. 4 minutes)
Menuet sur le nom d’Haydn, M. 58 (1909) (ca. 2 minutes)
The nineteenth-century German composers Felix Mendelssohn and Johannes Brahms were strongly influenced by earlier musical traditions. Despite these creators’ orientation to the past, their works on the first half of this program could not be more fresh and energetic. Mendelssohn’s Second Cello Sonata is ebullient, and features a slow movement reflecting the composer’s fascination with J. S. Bach’s music. Brahms’s Second Cello Sonata is also joyful, but traces a more varied emotional landscape. Brahms’s Trio for Clarinet, Cello, and Piano was one of several late masterpieces inspired by the Meiningen clarinetist Richard Mühlfeld, whose sensitive playing spurred Brahms to end his first retirement from composition. Some years later, Carl Frühling produced a beautiful, lyrical trio showing the influence of Brahms’s autumnal, somber op. 114.
The concerts will not be live-streamed, and no recordings will be available, so please consider enjoying these performances in person. Feel free to share this information with anyone you know who may be interested.
Nocturne No. 13 in B minor, op. 119 (1921) (ca. 7 minutes)
Brief Program Note
To observe the centenary of Gabriel Fauré’s death, Peter Henderson will perform a Maryville University Faculty Recital exploring works spanning the great French composer’s career. Renowned for his harmonic explorations and freedom, Fauré was also an inspired melodist, spinning long, flowing phrases set in a florid texture. His elegant, gorgeous piano music is poised between vigor and languor, raw emotion and restraint. This program features some of his most famous and extroverted early piano works, including the witty Valse-caprice No. 1 and two scintillating Impromptus, and ends with a few of Fauré’s sorrowful yet consolatory late pieces, including his intensely moving Nocturne No. 13.
Robert Schumann (1810-1856): [Untitled piece] No. 30 from Album for the Young, op. 68 (ca. 4 minutes)
Leo Marcus (b. 1945): Three Schumann Stars (Piano Quintet No. 3) (Midwest Premiere) (ca. 14 minutes)
Intermission (ca. 10 minutes)
Gabriel Fauré (1845-1924): Piano Quintet No. 2 in C minor, op. 115 (1919-21) (ca. 32 minutes)
Brief Program Note
Fauré completed two quintets for piano and string quartet. A slow, painstaking composer, Fauré labored eighteen years on Piano Quintet No. 1, which was eventually premiered in 1906. One of his favorite works, its first two movements have an enchanting, ethereal, timeless quality. Fauré’s earthier Piano Quintet No. 2 was composed relatively quickly, across several months in 1920-21. Deemed a masterpiece since its premiere, the second quintet demonstrates “A deep and magnificent serenity of a great poet, wise and lyrical” (Louis Vuillemin). Between these two monumental late works of Fauré, we’ll present the Midwest premiere of Three Schumann Stars by Leo Marcus, an American composer and pianist, who here explores the ambiguity and sensitive beauty of a small piano piece from Robert Schumann’s Album for the Young, op. 68.
Picture Studies is a “21st-century Pictures at an Exhibition” — like Modest Mussorgsky‘s 19th-century piano suite frequently performed in Maurice Ravel‘s splendid orchestration, Adam Schoenberg’s composition was inspired by several works of visual art. Picture Studies was commissioned by the Kansas City Symphony and Nelson-Atkins Museum of Art. Please find below links to the Nelson-Atkins Museum’s webpages for each of the artworks that provided the impetus for Adam Schoenberg’s musical responses:
1. Intro
Features the piano — a reference to Mussorgsky’s “Promenade” from Pictures at an Exhibition)
Beethoven: String Quartet in C-sharp minor, op. 131 (1826)
Liszt: Piano Sonata in B minor, S. 178 (completed 1853)
Wednesday, March 27, 2024 • 7:00 p.m. Maryville University Auditorium • Directions
Free Admission
The concert will not be live-streamed, and no recording will be available, so please consider enjoying this performance in person. Feel free to share this information with anyone you know who may be interested.
Ludwig van Beethoven (1770-1827): String Quartet No. 14 in C-sharp minor, op.131 (1826) — ca. 45 minutes
Intermission
Franz Liszt (1811-1886): Les cloches de Genève (The Bells of Geneva): Nocturne from Années de pèlerinage (Years of Pilgrimage), Première année: Suisse (First Year: Switzerland), S.160 (1848-54) — ca. 7 minutes
Franz Liszt: Piano Sonata in B minor, S. 178 (ca. 1842-53) — ca. 30 minutes
Brief Program Note
Performed by artists from the St. Louis Symphony, this recital features two towering masterpieces from the nineteenth century: Ludwig van Beethoven’s epic String Quartet No. 14 in C-sharp minor, op. 131, and Franz Liszt’s iconic Piano Sonata in B minor. According to Robert Schumann, Beethoven’s late quartets “stand…on the extreme boundary of all that has hitherto been attained by human art and imagination.” Renowned for his pianistic brilliance and embrace of literary drama in music of harmonic daring, Liszt showed incredible ingenuity in synthesizing his personal idiom with several formal influences — including Beethoven’s — in his staggering, single-movement Piano Sonata in B minor. We hope you’ll join us this evening to enjoy performances of two highly significant instrumental works.
Friday, March 1, 2024 • 7:00 p.m. Maryville University Auditorium • Directions
Free Admission
The concert will not be live-streamed, and no recording will be available, so please consider enjoying this performance in person. Feel free to share this information with anyone you know who may be interested.
Artist
Patrick Rafferty, Renaissance, Baroque, 19th-Century & Modern Acoustic Guitars
Musical Program
Performed on Renaissance Guitar:
Alonso Mudarra (1510-1580) — Romanesca: Guárdame las Vacas
unknown — Bransle
Pierre Certon (1550-1572) — J’ay le rebours
Guillaume Morlaye (1510-1558) — Conte clare
Performed on Baroque Guitar:
Francesco Corbetta (1615-1681) — Allemande-Gigue-Passacaille • Gigue a la manière anglaise • autre Chacone
Gaspar Sanz (1640-1710) — Jácaras • Canarios
Performed on 19th-Century Guitar:
Fernando Sor (1778-1839) — Les Adieux, op. 21
William Foden (1860-1947) — Variations on “My Old Kentucky Home”
Francisco Tárrega (1852-1909) — Danza mora
Performed on Modern Guitar:
Joaquín Rodrigo (1901-1999) — Junto al Generalife
Agustín Barrios (1885-1944) — Las Abejas
Brief Program Note
This recital celebrates the vibrant legacy of musical literature for the acoustic guitar in a panoramic program of music composed between the sixteenth and twentieth centuries. Patrick Rafferty will perform on four instruments of historically accurate design. We hope you’ll appreciate this rare opportunity to hear the subtle differences of tone color between historical acoustic guitars played by an acclaimed virtuoso.
The Mazzoni Duo: Jennifer Mazzoni, flute & Matthew Mazzoni, piano
The Mazzoni Duo: Jennifer Mazzoni, flute • Matthew Mazzoni, piano
Sunday, April 28, 2024 • 3:00 p.m. Maryville University Auditorium • Directions
Free Admission
The concert will not be live-streamed, and no recording will be available, so please consider enjoying this performance in person. Feel free to share this information with anyone you know who may be interested.
Artists
The Mazzoni Duo: Jennifer Mazzoni, flute • Matthew Mazzoni, piano
Musical Program
Johann Sebastian Bach (1685-1750): Trio Sonata No.5 (after BWV 529)
Arvo Pärt (b. 1935): Fratres (1977, 1980, 2016)
Gustav Mahler (1860-1911): Three Lieder (Songs) from Des Knaben Wunderhorn (The Youth’s Magic Horn)
Niccolò Paganini (1782-1840): La campanella (The Little Bell) from Violin Concerto No. 2, op. 7
~~ Intermission ~~
Claude Debussy (1862-1918): Prélude á l’après-midi d’un faune (Prelude to the Afternoon of a Faun)
Gabriel Fauré (1845-1924): Sonata in A major for Violin and Piano, op. 13
[Untitled piece] No. 30 from Album for the Young, op. 68 (ca. 4 minutes)
