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Maryville Music at Maryville SLSO

About Peter Henderson

Peter Henderson, pianist
Peter Henderson, pianist

Standard bio (313 words)

A versatile pianist, Peter Henderson is active as a performer in orchestral, chamber, and solo settings. Henderson is currently Associate Professor of Music and Artist-in-Residence at Maryville University, where he has served on the faculty since 2005. Since 2015, Henderson has been the Principal Keyboardist of the Sun Valley Music Festival Orchestra. In September 2023, he began his tenure as Principal Keyboardist of the St. Louis Symphony Orchestra (SLSO).

During January and February 2016, Henderson was the piano soloist in the SLSO’s California tour performances of Olivier Messiaen’s Des Canyons aux étoiles… (From the Canyons to the Stars…). Critics described him as a “powerhouse soloist” (San Francisco Chronicle) and praised his Messiaen playing for its “intense focus and thrilling vibrancy” (San Jose Mercury News). His most recent solo appearances with the SLSO, in March 2023, featured performances of Joseph Haydn’s Keyboard Concerto No. 11. 

In addition to his regular ensemble performances with the SLSO, Henderson often delivers pre-concert lectures, introducing classical concert programs from Powell Hall’s stage.

Henderson’s discography includes collaborations with violinist David Halen, flutist Mark Sparks, bass trombonist Gerry Pagano, violist Jonathan Vinocour, and soprano Marlissa Hudson. His most recent solo album is A Celebration of African Composers for Piano (AMP AGCD 2706, released 2017). 

Henderson also occasionally composes music and works as a recording producer. Rückblick (Looking Back), his song without words for trombone and piano, appears on Gerry Pagano’s album Solitude, released 2018. Printed and electronic editions of Rückblick were issued by Ascenda Music Publishing in January 2024.

Henderson holds a Doctor of Music degree from Indiana University, Bloomington, where his main piano instructor was Dr. Karen Shaw; he had previously studied with Dr. Jay Mauchley at the University of Idaho, Moscow. Henderson and his wife Kristin Ahlstrom, the SLSO’s Associate Principal Second Violinist, live in St. Louis with their lively, sweet beagle/terrier-mix, Zinni.


Brief bio (220 words)

A versatile pianist, Peter Henderson is active as a performer in orchestral, chamber, and solo settings. Henderson is currently Associate Professor of Music and Artist-in-Residence at Maryville University, and Principal Keyboardist of the St. Louis Symphony Orchestra (SLSO) and the Sun Valley Music Festival Orchestra.

Henderson was the piano soloist in the SLSO’s February 2016 California tour performances of Olivier Messiaen’s Des Canyons aux étoiles… (From the Canyons to the Stars…); his Messiaen playing was lauded for its “intense focus and thrilling vibrancy” (San Jose Mercury News). 

In addition to his regular ensemble performances with the SLSO, Henderson often delivers pre-concert lectures, introducing classical concert programs from Powell Hall’s stage.

Henderson’s discography includes collaborations with violinist David Halen, flutist Mark Sparks, and soprano Marlissa Hudson. His most recent solo album is A Celebration of African Composers for Piano (AMP AGCD 2706, released 2017).

Henderson also occasionally composes music. Rückblick (Looking Back), his song without words for trombone and piano, appears on Gerry Pagano’s album Solitude, released 2018. Printed and electronic editions of Rückblick were issued by Ascenda Music Publishing in January 2024.

Henderson holds a Doctor of Music degree from Indiana University, Bloomington. He and his wife Kristin Ahlstrom, the SLSO’s Associate Principal Second Violinist, live in St. Louis with their lively, sweet beagle/terrier-mix, Zinni.

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SLSO

Chance Trottman-Huiet, tuba • Peter Henderson, piano • Trombones of the St. Louis Symphony — Free Faculty / Guest Recital — Sunday 4/23/2023 @ 7:30 p.m.

Concert will take place in the Maryville University Auditorium (click link for directions)

Free admission • Donations gratefully accepted


Recital Program

Eugène Bozza (1905-1991): Aria (transcribed for Tuba and Piano)

Robert Schumann (1810-1856): Adagio and Allegro (transcribed for Tuba and Piano)

Paul Hindemith (1895-1963): Sonata for Bass Tuba and Piano (1955)

  1. Allegro pesante
  2. Allegro assai
  3. Variationen

Francis Poulenc (1899-1963): Four Little Prayers of St. Francis of Assisi (arr. Conrad Henning for Three Trombones and Tuba)

  1. Salut, Dame Sainte (Avec révérenece, tourjours lié)
  2. Tout puissant (Majestueux)
  3. Seigneur, je vous en prie (Très expressif et vervent)
  4. Ô mes très chers frères (Bien calme)

Francis Poulenc (1899-1963): Sonata for Clarinet and Piano (transcribed for Tuba and Piano)

  1. Allegro tristamente
  2. Romanza
  3. Allegro con fuoco

Chance Trottman-Huiet, tuba
Chance Trottman-Huiet, tuba

Performers

  • Chance Trottman-Huiet, tuba
  • Peter Henderson, piano
  • Tim Myers, trombone
  • Jonathan Reycraft, trombone
  • Christopher Bassett, bass trombone
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Music at Maryville

Arianna String Quartet — Free Music at Maryville 2022-23 Concert 5 of 5 — Sunday 4/23/2023 @ 3:00 p.m.

The 2022-23 Music at Maryville series concludes Sunday afternoon, April 23, at 3:00 p.m. with a free performance by the Saint Louis’s premiere string quartet, the Arianna Quartet: John McGrosso and Julia Sakharova, violins; Joanna Mendoza, viola; and Kurt Baldwin, cello.

Details

Arianna String Quartet
Arianna String Quartet

Program

Joseph Haydn (1732-1809): String Quartet in B-flat major, op. 76 no. 4 “Sunrise”

  1. Allegro con spirito
  2. Adagio
  3. Menuetto: Allegro — Trio
  4. Finale: Allegro, ma non troppo

Frederick Tillis (1930-2020): Spiritual Fantasy No. 12 (1995)

  1. Nobody knows the trouble I see
  2. Wade in the Water
  3. Crucifixion (He never said a mumblin’ word)
  4. I’m a rollin’

Intermission

Felix Mendelssohn (1809-1847): String Quartet in D major, op. 44 no. 1

  1. Molto allegro vivace
  2. Menuetto: Un poco allegretto
  3. Andante espressivo ma con moto
  4. Presto con brio

Hope to see you at Maryville University on April 23 at 3 p.m.!

Categories
Music at Maryville

Spring 2023 Calendar of Maryville University Music Events

Categories
Music at Maryville

Peter Henderson, piano • Maryville U. Faculty Recital • Fri., Jan. 20, 2023 @ 7:30 p.m. • Free admission

Concert will take place in the Maryville University Auditorium (click link for directions)

Peter Henderson, piano — Haydn meets Bach — Jan. 20, 2023 @ 7:30 p.m., Maryville University Auditorium — Free admission
Peter Henderson, piano — Haydn meets Bach — Jan. 20, 2023 @ 7:30 p.m., Maryville University Auditorium — Free admission

“Haydn meets Bach” Program:

Joseph Haydn (1732-1809)

Piano Sonata No. 31 in A-flat major, Hob. XV:46 (ca. 1767-70)

I. Allegro moderato
II. Adagio
III. Finale: Presto

Andante with Double Variations (Sonata “Un piccolo divertimento”) in F minor, Hob. XVII:6 (1793)

Brief Intermission

Johann Sebastian Bach (1685-1750)

French Suite No. 1 in D minor, BWV 812 (ca. 1722)

I. Allemande
II. Courante
III. Sarabande
IV. Menuet I — Menuet II
V. Gigue

Chaconne with Variations from Partita No. 2 for Unaccompanied Violin, BWV 1004 (ca. 1717-20) — Concert arrangement for the piano by Ferruccio Busoni (1866-1924), 1893

Haydn Project 2022-23
Haydn Project 2022-23
Categories
Music at Maryville

Sunday 11/13/2022 @ 3:00 p.m. — Free Music at Maryville 2022-23 Concert — Adam Maness Jazz Combo

The 2022-23 Music at Maryville series continues this Sunday afternoon, November 13, with a performance by a jazz combo led by Adam Maness, a prominent member of St. Louis’s music community who is active as a jazz composer, arranger, pianist, and educator.

Adam Maness, jazz composer, arranger, pianist, and educator

Details

Hope to see you at Maryville University on November 13 at 3 p.m.!

Categories
Maryville

Relaxing classical music selections

Composers (listed chronologically by life dates)

Stephen of Liège (ca. 850-920)

Josquin Desprez (ca. 1450/1455-1521)

Giovanni Pierluigi da Palestrina (ca. 1525-1594)

  • Kyrie from the Pope Marcellus Mass

Gregorio Allegri (ca. 1582-1652)

Remo Giazotto (1910-1998) [after Tomaso Albinoni (1671-1751)]

George Frideric Handel (1685-1759)

  • Adagio from Keyboard Suite No. 2 in F major, HWV 427
  • Largo from Serse (opera)

Johann Sebastian Bach (1685-1750)

Christoph Willibald Gluck (1714-1787)

Joseph Haydn (1732-1809)

Wolfgang Amadeus Mozart (1756-1791)

Ludwig van Beethoven (1770-1827)

Franz Schubert (1797-1828)

Fryderyk (Frédéric) Chopin (1810-1849)

Robert Schumann (1810-1856)

Franz Liszt (1811-1886)

Johannes Brahms (1833-1897)

Alexander Borodin (1833-1887)

Camille Saint-Saëns (1835-1921)

  • The Swan from Carnival of the Animals for two pianos and orchestra

Antonín Dvořák (1841-1904)

Jules Massenet (1842-1912)

  • Meditation from Thaïs (opera, 1894/1898) for violin and piano

Edvard Grieg (1843-1907)

  • Morning Mood from Peer Gynt Suite No. 1, op. 46 for orchestra

Gabriel Fauré (1845-1924)

Engelbert Humperdinck (1854-1921)

Giacomo Puccini (1858-1924)

Isaac Albéniz (1860-1909), arr. Leopold Godowsky (1870-1938)

Edward MacDowell (1860-1908)

Claude Debussy (1862-1918)

Richard Strauss (1864-1949)

Jean Sibelius (1865-1957)

Erik Satie (1866-1925)

Scott Joplin (1868-1917)

Ralph Vaughan Williams (1872-1958)

Arnold Schoenberg (1874-1951)

Maurice Ravel (1875-1937)

Samuel Coleridge-Taylor (1875-1912)

Maurice Duruflé (1902-1986)

  • Introit from Requiem, op. 9 for solo voices, mixed chorus, orchestra, and organ

Arvo Pärt (b. 1935)

Philip Glass (b. 1937)

Eric Whitacre (b. 1970)

Film music excerpts

John Barry (1933-2011)

Howard Shore (b. 1946)

  • “The Shire” from the soundtrack for The Lord of the Rings: The Fellowship of the Ring (2001 motion picture)

Categories
Music at Maryville SLSO

Haydn Project 2022-23

Haydn Project 2022-23

My 2022-23 music performance season will culminate with March 3 & 4, 2023, subscription concert performances with the St. Louis Symphony (SLSO) conducted by Stephanie Childress.

These SLSO concerts will feature Piano Concerto No. 11 by Joseph Haydn (1732-1809).

Leading up to these SLSO performances, I will also be exploring the vibrant musical legacy of Joseph Haydn by:

Categories
Music at Maryville

10/7/2022 @ 7:30 p.m. — Music at Maryville 2022-23 Concert 1 of 5

Music at Maryville series

2022-23 Concert 1 of 5

Friday, October 7, 2022; 7:30 p.m.

Maryville University Auditorium (directions via this link)

Free admission • Donations gratefully accepted


Joseph Haydn (1732-1809)

Three Trios for Piano, Violin and Cello

Kristin Ahlstrom, violin

Bjorn Ranheim, cello

Peter Henderson, piano


Piano Trio No. 26 in C minor, Hob. XV:13 (1789)

  1. Andante
  2. Allegro spiritoso

Piano Trio No. 40 in F-sharp minor, Hob. XV:26 (1795)

  1. Allegro
  2. Adagio cantabile
  3. Finale: Tempo di Menuetto

Piano Trio No. 43 in C major, Hob. XV:27 (1797)

  1. Allegro
  2. Andante
  3. Presto

Program will also feature:

Haydn Project 2022-23
Categories
Maryville

Guidelines for usage of the Bösendorfer grand piano in Huttig Chapel

When the Bösendorfer grand piano is stored, please:

  • Ensure that the piano is in its usual position close to the side of the altar platform, with its long (not curved) side nearest the platform.
  • Ensure that the piano’s keyboard lid is closed, and the keyboard lock on the left side is in place and locked (Maryville Public Safety—314-529-9500—has a copy of the keyboard-lock key).
  • Ensure that the piano’s undercarriage humidisitat is plugged into the nearest electrical outlet.
  • Ensure that the piano’s custom cover is on the instrument, and the sign asking people to refrain from placing things on the piano is in place on top of the custom cover. The piano’s dedicated bench can be placed under the keyboard in a way that will allow it to fit under the custom cover.
  • Please do not move this piano. Its usual position ensures that it will not be damaged by air blown upward from the registers along the chapel’s walls.

When using the Bösendorfer grand piano:

  • Remove the piano’s custom cover and keyboard lid-lock (Maryville Public Safety—314-529-9500—has a copy of the keyboard lid-lock’s key), then place them in a safe place.
  • When opening the piano’s lid, please first open the lid’s small section near the keyboard, then the main portion of the lid.
  • The lid will open partway, or fully. This is important!:
    • The hole in the lid nearest the edge is for the two shorter lid-support stick(s).
    • The hole in the lid farther in from the edge is for the full-length lid-support stick. 
    • Once the lid is supported in its desired inclination, please ensure that the stick is perpendicular to the lid. If the lid and its supporting stick are mismatched, there’s a chance that the lid (which is heavy) may collapse, endangering people nearby.