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Music at Maryville SLSO

Music at Maryville Spring 2024 Concert 3

Beethoven: String Quartet in C-sharp minor, op. 131 (1826)

Liszt: Piano Sonata in B minor, S. 178 (completed 1853)

Wednesday, March 27, 2024 • 7:00 p.m. Maryville University AuditoriumDirections

Free Admission

The concert will not be live-streamed, and no recording will be available, so please consider enjoying this performance in person. Feel free to share this information with anyone you know who may be interested.

Artists

Kristin Ahlstrom, violin

Kristin Ahlstrom, violin
Kristin Ahlstrom, violin

Éva Kozma, violin

Éva Kozma, violin
Éva Kozma, violin

Shannon Farrell Williams, viola

Shannon Farrell Williams, viola
Shannon Farrell Williams, viola

Bjorn Ranheim, cello

Bjorn Ranheim, cello
Bjorn Ranheim, cello

Peter Henderson, piano

Peter Henderson, piano
Peter Henderson, piano

Musical Program

Ludwig van Beethoven (1770-1827): String Quartet No. 14 in C-sharp minor, op.131 (1826) — ca. 45 minutes

Intermission

Franz Liszt (1811-1886): Les cloches de Genève (The Bells of Geneva): Nocturne from Années de pèlerinage (Years of Pilgrimage), Première année: Suisse (First Year: Switzerland), S.160 (1848-54) — ca. 7 minutes

Franz Liszt: Piano Sonata in B minor, S. 178 (ca. 1842-53) — ca. 30 minutes

Brief Program Note

Performed by artists from the St. Louis Symphony, this recital features two towering masterpieces from the nineteenth century: Ludwig van Beethoven’s epic String Quartet No. 14 in C-sharp minor, op. 131, and Franz Liszt’s iconic Piano Sonata in B minor. According to Robert Schumann, Beethoven’s late quartets “stand…on the extreme boundary of all that has hitherto been attained by human art and imagination.” Renowned for his pianistic brilliance and embrace of literary drama in music of harmonic daring, Liszt showed incredible ingenuity in synthesizing his personal idiom with several formal influences — including Beethoven’s — in his staggering, single-movement Piano Sonata in B minor. We hope you’ll join us this evening to enjoy performances of two highly significant instrumental works.